Geometry: where is the light relative to the camera and the part?
Move the light, the part, or the camera until the feature separates from the background. On-axis light returns from a flat mirror-like face. Light from a low angle misses that face and can catch a scratch. Light from many directions, as in a dome, reduces a hotspot on a curve. If the feature is still mixed with the background, do not jump to a catalog adjective. Change the angle first.
